The horizontal axis (X-axis) on the graph represents the distribution of color tones of the object from left to right. It's important to note that each column on the graph corresponds to a column of pixels in the object. When you place the cursor on a frame in the timeline, you can observe the characteristics of that frame represented as pixels in a waveform on the graph. Waveīy default, the Scopes window displays the Wave mode, which allows you to analyze the brightness and color values of the scene or selected object. Each mode provides information on the brightness and saturation of the pixels in the frame, with slight differences in representation and details. In the upper right corner, there's another dropdown menu offering four Scopes modes: Wave, Parade, RGB, and Vectorscope. To fix your selection, click on the selection field with the left mouse button, then with the right mouse button to confirm. If you don't see the window, navigate to the View tab in the upper part of the program and activate the corresponding option.Īt the upper left corner of the Scopes window, you'll find a dropdown menu that allows you to select the object to be analyzed: the selected media file or the overall scene. In VSDC Video Editor, you can access histograms in the Scopes window, typically located in the bottom right corner of the software. They provide objective information about the characteristics and deficiencies of the image, helping to determine if color correction is required. Histograms are visual graphs that display the pixel values of a frame, enabling the analysis of brightness, contrast levels, and color balance of an image. Download Free Video Editor What is a histogram? We will guide you through the process of working with this analytical tool to achieve your desired outcome. They enable you to objectively assess the color distribution within the frame and determine if color correction is required. In this article, we will delve into a powerful color analysis tool - histograms, which are accessible in the Free version of VSDC Video Editor. How do you evaluate the accuracy of exposure? How do you determine if color correction is necessary? How do you identify overexposed or underexposed areas? Sometimes a mere visual assessment is insufficient to answer these questions and more.
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